Tuesday, November 25, 2014
Is The Hunger Games Good or Bad?
"What if everyone just stopped watching?"
The Hunger Games is the worst movie ever!
Katniss is so annoying! Everyone says she's such an empowering female protagonist, but she just whines about having to be a leader and having so many people rely on her. Have some pride, lady! Stand up for yourself for a change!
And Peeta is even worse! Talk about a helpless little brat. Why does Katniss even care about him, anyway? All he does is hide and paint himself like the ground (which, by the way, would be totally impossible). Let's have a real man! Katniss and movie audiences deserve better!
The cinematography is just awful! The camera shakes around all over the place like it drank too much Capitol Coffee and can't focus on anything. The quick editing doesn't know how or what to frame in each shot, jumping too quickly as if the image might collapse at any moment. Calm down! Tripods aren't that complicated!
The Hunger Games is a bloated and overly drawn-out mess that exemplifies everything wrong with Hollywood filmmaking!
The Hunger Games is the best movie ever!
I love Katniss! She's the perfect reluctant hero, and is a much more realistic idol than Hollywood usually gives us, male or female. She's introverted and has a thick exterior, but on the inside she's all hot temper and fiery passion. Just think about shooting the apple or that moment with Rue!
And Peeta is even better! Talk about reversing gender roles. Instead of the "perfect man" stereotype—strong, silent, and always ready to stand up for his woman—he's weak and overly talkative, and is even forced to help the enemy against Katniss. Exactly the kind of flawed love interest we can all relate to!
The cinematography is just fantastic! It stays away from the overproduced aesthetic of your traditional blockbuster and offers a truthful and direct cinéma vérité experience without meaningless spectacle. It makes the alien dystopia of Panem more immediate and intense, while focusing on Katniss's internal struggle by keeping the frame small and intimate. It's not hard to see! You just need to open your eyes!
The Hunger Games is dense and intricately detailed entertainment that exemplifies the perfect way to adapt popular fiction for the screen!
Popularity is a magnet, and The Hunger Games has become inundated with more criticism than it can bear. It is not a piece of Great Modern Cinema, and doesn't have the strength to stand up to the myriad of attackers drawn in by its reputation. But neither does it live up to the praise of its most vocal adherents. It can be easy to forget that, whatever the general consensus, there are always two ways to interpret any element of a film. And the truth is that the franchise itself is the real winner, because the only thing the two sides have in common is that—whether they like it or not—they both rely on the films' existence for sustenance. ("What if everyone just stopped watching?")
On a personal level I must admit to being a Hunger Games fan in spite of my myriad of minor problems with it. This time through the film I was struck by a few things:
I didn't remember how well it set up Katniss's relationship with Prim. Prim is behind most of the major narrative transitions in the film: she's the reason Katniss participates in the Games to begin with, she's the reason Katniss connects so quickly with Rue, etc. (This is something that Catching Fire failed to do, from what I remember.)
From a technical standpoint, the film's strongest element (maybe second to costume design) might actually be its sound mixing. This is what makes the Tracker Jacker sequence so memorable, for example. The sound cuts in and out to give you more direct access to Katniss's subjective experience, while also providing a more interesting and aesthetically pleasing piece of entertainment.
There's also a short but fascinating shot of two young District 1 children playing with toy swords and attacking their parents, giving a brief but incisive glimpse into the potentially problematic culture that exists even in the wealthiest of districts.
I also watched a bit of the making-of documentary included on the DVD, and I noticed that Gary Ross directs like current-day George Lucas: in a chair, with a coffee, not directly interacting with the movie he's making. I can't really say I approve of this, particularly next to such active filmmakers as J. J. Abrams (who will run along next to his cinematographer to make sure each shot is just what he wants). But then again, I've never made a phenomenally successful Hollywood blockbuster, so what do I know?
Oh, and before I go, can we please stop with the Battle Royale comparisons? They were never clever.
2012: Year in Film | Girl Power